The Bite Magazine - Spring/Summer 2025 - Issue 37

biteartist pelling juxtaposition, infusing the artwork with timelessness and contemporary allure. The painting invites viewers to contemplate the seamless integration of historical architecture and the tranquillity of the river, where the iconic Westminster Abbey stands ma- jestically alongside the flowing waters. Carlos’ photographic elements add reality and dimension to the artwork, while the oil paint infuses it with emotional depth and painterly bril- liance. It enables viewers to immerse themselves in the har- monious dialogue between the historical grandeur and the soothing embrace of nature. The Anglican Church, formerly known as the Collegiate Church of Saint Peter at Westminster, also appears in ‘The Sanctuary’s Meadow’. It transports viewers to a tranquil oasis amidst the bustling cityscape where nature and architecture coexist harmoniously. The play of light and shadow enhanc- es depth and dimension, drawing the viewer into the serene meadow adorned with lush foliage. You can find moments of calm and reflection amidst the vibrant urban tapestry. ‘Londinium alla Piero della Francesca’, meaning ‘London in the style of Piero della Francesca’, celebrates the vibrant spirit of London with a captivating portrayal of a lion and tiger that adds a touch of exotic fascination to the scene. Piero della Francesca was a 15th-century Italian painter, mathematician and geometer of the Early Renaissance known for his cool colour palette, geometrical compositions and refined, medi- ative style in notable works like ‘The Baptism of Christ’ and ‘The Nativity’. Another impressive piece is ‘Chelsea Capriccio’, where the artist, inspired by the capriccio tradition in art, combines el- ements from various locations in Chelsea, such as Michelin House, the Michelin Tyre Company’s original headquarters, and Holy Trinity Sloane Square, to create a fantastical and dreamlike scene. The mixed-use Michelin building on Ful- ham Road has housed restaurants, including the two Miche- lin-starred Bibendum, a bar, an oyster bar and retail space, including the Conran Shop since 1987. Carlos admires hundreds of thousands of works from past centuries and contemporary artists such as Italian Renais- sance painter Leonardo da Vinci, Spanish painter Diego Velázquez and British painter Lucian Freud. “Throughout history, extraordinary art has been created, and many pieces resonate with me differently. Rather than wishing I had made them, I appreciate them as sources of inspiration and proof of the limitless creativity in the world.” However, he believes the art world sometimes overvalues specific figures whose inflated market valuation he finds dif- ficult to understand. “Art should not be dictated by fleeting trends or commercial hype; it is something far more pro- found, carrying meaning, depth, and a lasting impact beyond fashion or market forces.” He also feels the industry is overly fragmented, with an overwhelming number of online galler- ies. “There is an excess of supply compared to the number of serious collectors and buyers, which makes it challenging for artists to stand out.” He added, “We live in one of history’s most eclectic artistic periods. There is no dominant movement or trend, which Tower Bridge Forever