The Bite Magazine - Spring/Summer 2025 - Issue 37

Jada Brookes explores Spanish artist Carlos Arriaga’s visual portrayal of iconic London buildings in his paintings. biteartist us see the world differently. “I am captivated by the ability to build new narratives, to reinterpret cit- ies, and to merge imagination with reality,” he said. “When you dedicate yourself entirely to artistic cre- ation, a privilege I deeply appreciate, you develop a heightened awareness. Inspiration can come from anywhere, but I am particularly drawn to cities, their architecture, and their ever-changing energy.” Nature also plays a significant role in his work, of- ten intertwining with urban landscapes to create a unique dialogue between the artificial and the or- ganic. As someone who cares deeply about the en- vironment and its current predicament, Carlos de- picts cities overtaken by nature, devoid of humans, as a visual metaphor for the crisis. “I believe artists are responsible for engaging with and contribut- ing to the conversation about the profound climate changes we are experiencing.” In response to how the environment moves him and gets his attention, the artist replied, “We are nature, perhaps too evolved for this planet that we are reshaping, but that is our essence.” He is most comfortable in natural surroundings but admitted he has always been a true urbanite, fully embracing cities’ cultural and social life. “This duality deeply influences my work, where I seek to merge the ur- ban landscape with the presence of nature, creating a harmonious balance between both worlds.” Carlos’ artistic vision of cities is the ultimate rep- resentation of human creation, particularly through architecture. “I am especially drawn to London (which fascinates him) and would love to explore new ways of depicting it, transforming reality while preserving its most magnificent buildings. [I aim] to present the city in a way that has never been seen before, reimagining its structures and atmospheres to highlight its historical grandeur and potential for reinvention.” He says his cityscape paintings move him most, es- pecially when surrounded by nature. “I am fascinat- ed by the power of art to transform reality. In my work, I portray a city that doesn’t exist, an idealised vision, a reimagined urban landscape that reflects my perspective and aspirations.” Creations like ‘The Abbey On The River’, an oil painting on black-and- white photographic grisaille canvas, create a com- Natural History Forever