The Bite Magazine - Spring/Summer 2025 - Issue 37

biteartist can confuse collectors. While galleries play an essential role in educating audiences, the sheer volume of information and artistic variety makes it difficult to establish clear directions in the market. If I could change something, it would be to foster a more focused and curated approach, helping collec- tors navigate this vast landscape more clearly.” Carlos’ creative process comes in two distinct stages. “The first is when I complete the digital composition after hours of refining the image, achieving the right balance, and bringing my vision to life on the screen. Seeing the final composition ready for painting is deeply satisfying,” he explained. “The second moment comes when I apply the first colour brush- strokes on the canvas. That’s when the artwork started to take on a life of its own, guiding me, almost demanding the col- ours and textures it needed. It’s an intuitive and immersive process that makes each piece unique.” The opposite of this rewarding moment is preparing the canvas with transparent resin. “It’s a physically demanding and time-consuming task, yet essential to achieve the tex- ture needed for my paintings. Beyond the technical aspects, constant uncertainty is another challenging part of being an artist. Will the piece resonate with collectors? Will it find a home? In a way, a work of art never feels complete until it changes hands and becomes part of someone else’s world. That final step is beyond my control but is an inevitable part of the artistic journey.” In his opinion, innovation and success are distinct things for a cutting-edge and successful artist. “[Some] artists may not be particularly innovative but still achieve great success,” he explained. “However, I believe innovation is crucial. With- out breaking away from tradition and exploring new forms, there can be no true art. Moreover, art must carry a genuine message that resonates and offers a fresh perspective. Artists become innovative when they push boundaries, challenge conventions, and present a unique and meaningful narrative to the world around them.” When he’s not creating works of art, Carlos relaxes by run- ning and taking long walks in nature. “Being outdoors helps clear my mind and brings a sense of peace. Interestingly, I also find working to be quite relaxing. When deeply im- mersed in the creative process, it feels like a form of medita- tion that gives me a lot of gratitude.” He advised aspiring artists to dedicate themselves to contin- uous learning, rigorous study, and relentless hard work. “Art is not just about talent; it requires full commitment, perse- verance, and professionalism. Never stop questioning, push- ing boundaries, and refining your craft. Success in art is a long journey, and those who truly dedicate themselves to it may find their place.” At the time of writing, Carlos announced he was about to undergo a radical change. “In three months, I will be mov- ing from Madrid to Rome. A decision that, in many ways, feels like an uncertain yet necessary new path,” he explained. “After my recent divorce, I felt an undeniable urge to make a big change and do something completely different. Rome emerged as the destination, though it could have been Lon- don or any other major city. However, in a way, I am return- ing to the artistic origins of Western civilisation. I believe being in Rome will inspire me to transform my artistic work significantly, opening new creative possibilities that I am ea- ger to explore.” Carlos Arriaga’s work can be viewed online at Eclectic Gal- lery and the artist’s websites. https://eclecticgallery.co.uk/artists/75-carlos-arriaga London Is Watching & Londonium Living Room Images courtesy of Eclectic Gallery