The Bite Magazine - Autumn/Winter 2025 - Issue 38

ANNIE’S IBIZA F ounded by stylist and curator Annie Doble, Annie’s Ibiza staged a collection that felt like a time-bending part medi- eval warrior, part rock-and-roll heiress fantasy at London ashion Week. With ‘Collection IV’, the stylist pushed beyond her label's signature vintage-glamour edge, offering a vision steeped in feminine power, cinematic drama, and a commitment to ethical consciousness. Presented at 1 George Street, the show transformed a stately interior into a dreamscape. Models emerged like modern-day heroines of legend, draped in gowns that clinked like armour and shimmered like starlight. The influence of figures like Joan of Arc and Renaissance-era nobility was apparent, but not in their costumes. It was about invoking strength, not nostalgia. Many of the looks featured metallic elements of gold-threaded lace, corsets that echoed breastplates, and hoods reminiscent of chainmail, offset by romantic silhouettes and flowing skirts. There was a theatricality to it, yes, but one that never veered into fantasy for fantasy's sake. These garments were built to command atten- tion, not play dress-up. Doble's commitment to sustainability underscored the entire col- lection. This season’s collection perfectly utilised carefully chosen materials, including organic cotton, seaweed-based textiles, and repurposed lace, blending luxury with a conscious approach to sourcing. The garments felt very well thought out and considered, with each one reflecting evolution in texture and tone. The colours moved between grounded and glowing. Creams and deep berry shades sat alongside muted metallics, such as bronze and pewter, creating a palette that felt rich yet never overstated. One standout look paired a floor-length, vegan-velvet cloak with an embroidered corset, cinched over a gauzy dress that caught the light with every movement. It was drama without excess and power without heaviness. Styling played a crucial role in setting the mood. Hair was worn loose or sculpted with precision, and make-up was bold but not theatrical. The accessories, including hand-finished gloves, thigh- high boots, and softly jewelled veils, helped bridge the past-meets- present mood. Collaborations with creatives like hairstylist Sam McKnight and make-up artist Dominic MUA elevated the experience, proving Annie's Ibiza is not just about clothes but about world-building. The show's production was a carefully crafted moment. The music swelled with emotional intensity, and the casting reflected a wide range of beauty with models of all shapes and backgrounds chan- nelling Doble's message of fierce individuality. More than just a fashion show, ‘Collection IV’ felt like a manifesto. It spoke to a generation looking for meaning in what they wear, wanting to feel powerful without sacrificing softness, and wanting glamour without guilt. Annie's Ibiza continues to demonstrate that sustainability doesn't have to mean minimalism, and theat- rical fashion can still convey a soulful essence. The collection was a celebration of the woman who owns her past, wears her future, and walks like the story is hers to write. https://anniesibiza.com bitecatwalk FASHION WEEK LONDON Autumn/Winter 2025