The Bite Magazine - Autumn/Winter 2019 - Issue 26

bite nightout the nurses and started removing the bandages from the patient revealing a stunning looking polished Barbie-like girl. As the sexual therapy was on its way to arouse and stimulate the audience, a well-dressed woman in the audience with a posh voice shouted out that this was not the way a lady should behave as defiance to the show. She was then set upon by the head nurse who tried to seduce her. But she managed to keep her sophisticated appearance and at- titude to the night’s amorous behaviour intact. As she rebuffed the nurse’s attention on her, before you could take a breath, the nurses in white administered a very large syringe into mem- bers of the audience’s mouth with an unknown elixir. At first, I showed a little resistance, but with the gentle approach of the nurse, I succumbed to her wish and accepted the oral mouth injection. This was followed by a series of narrated videos and imag- es giving a written description of terms used to describe the meaning of arousing words that were neatly displayed on a white Perspex wall. A bright light behind the wall lit up a se- cret room that revealed the first of a staged dance with strobe lighting adding to the effects of the performance. A scantily dressed woman in red underwear and tattoos moved around the room with two other women with white bob hairstyles and leather skirts. They performed a choreo- graphed seductive dance that ended with the main dancer on the floor, before picking her up and rolling her up in a carpet as if a corpse was being discarded. The girls ended the per- formance by dancing with each other and smoking cigarettes. The head nurse in black came back on the stage exhaling something from a gas canister. This was very effective in keep- ing with the asylum themed evening. After a 15 minute inter- mission which gave us the chance to regain our composure, we returned to our seats clutching well-deserved drinks for the second part of the experience. Another collection of projections were displayed on the Per- spex walls, showing the merging of black and white images, reflecting the crazy asylum journey. Then a dancer in a body harness had the old-style wooden walking sticks she was propped up on taken away from her by the head nurse whose face was covered in red and was wearing a bodice, suspenders and an officer’s hat. She stood behind the dancer as she slowly undressed. Each item was handed over to the head nurse and as she fin- ished taking the bodice off, the dancer was left with a sheer white shirt and black fishnet tights. She took a seat at a wood- en table with what I would describe as a big tub of peanut but- ter that she scooped into her mouth and begin to spew it out. To summarise, the night the show was a collection of stage dancers, dramatic whipping, blindfolded scenes, and constant disrobing in a controlled and seductive way. Most of the scenes were ended with the girls on the stage doing a routine to stir and arouse the audience. To end the show, Rosy came on to the empty stage and pointed Images & Video courtesy of Premier PR