The Bite Magazine - issue 16

is having a physical creation constructed into reality straight from consciousness. He added, “Having something playing on your mind for so long and pushing to get it out often becomes unbearable to keep in. In my process of 3D printing, I do a lot of preparation and direction up to the point where I click print. It is only when the final pieces are finished and I can look at the creation in real life, and not at a digital monitor, that it becomes hugely rewarding.” So far,Warnecke has not found anything unrewarding and believes that every mistake is a blessing when creating artwork. He also believes that to be a successful and cutting edge artist that you should not get too comfortable with your prac- tice and fall into being a ‘one trick pony’. He advises to, “always challenge your- self and think outside the box” which is crucial in staying relevant. “If you have ideas, which others think are strange and weird, roll with it. Art is about thrills and sexiness, so chase the super model when creating artwork. In relation to this, it is always good to make a recognisable sig- nature and language for yourself. What I mean by this, is to create a style which is identifiable.”Warnecke sees himself as “an artist who sets to create experiences for the audience just as much as an event organiser would.” He hopes to create narratives which engage the audience into their own method of thinking, while at the same time giving hints of familiari- ties which will enable them to relate and recognise the work as if they have known it for years.“As an emerging artist, I hope to grow a bigger profile and in return make bigger and more immersive works.” When he’s not creating amazing pieces, Warnecke like to relax by reading comic books on long train journeys through the countryside where he feels most at peace. He says he does this as his brain bite artist profile